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There is no aircraft in aviation history either developed or under development that can match the flexibility, versatility and relevance of the C-130 Hercules. In continuous production longer than any other military aircraft, the C-130 has earned a reputation as a workhorse ready for any mission, anywhere, anytime. The C-130J Super Hercules offers superior performance and new capabilities, with the range and flexibility for every theater of operations and evolving requirements. This rugged aircraft is regularly sent on missions in the harshest environments, and is often seen as the first aircraft in, touching down on austere landing strips before any other transport to provide humanitarian relief after natural disasters. With more than one million hours of flying combat, humanitarian, special operations, aerial refueling, firefighting, and search and rescue missions around the world, the C-130J stands ready for its next mission and for whatever the future holds.
A great deal of planning and passion goes into each large format image...
The Concept...
First I sketch out what I want the nal image to look like and then create a shot list for the various parts of the image. Locations need to be identi ed for the background and aircraft shots and models need to be hired. Only then am I ready to shoot the various parts of the image.
The Plane...
By shooting the plane by itself on the ground in a controlled situation, I can get much better detail and dynamic range in the image than shooting in the air. The plane is set up at the right angle with the shadow in the right direction. The pilot is positioned and looking in the right direction and the plane is trimmed out with the control surfaces in the correct positions. Multiple shots are taken at various exposures and different angles can be easily achieved during the photo session.
The Background...
This is where you have to wait for nature to behave. The air to ground or cloud formation shots have to be taken at the right time of day with the shadows in the correct position. When you are just shooting the background from the air and not worrying about exposing a plane correctly, you are able to create more dynamic views and color saturation that meld together and make the aircraft pop out of the image.
The Creation...
There are no short cuts in creating the nal large format photo illustration. You start by editing fty or so shots down to the ten that will be used in the nal master image. This is where my background as a designer/artist comes in. The nal 2 GB master image can take forty hours or more of painstakingly detailed work to combine all the photos, re-illustrate parts of the scene and to color balance the nal image to achieve the original vision.